Sascha Braunig, Unseen Forces, 2017. Oil on linen over panel, 42 x 36 in. Courtesy the artist and Foxy Production. 
Kiki Kogelnik, Mono, c. 1970. Sheet vinyl, chromed steel hangers and chromed rolling garment rack. 48 7/8 x 33 1/4 x 22 5/8 in. Courtesy Kiki Kogelnik Foundation. 
Kiki Kogelnik, Untitled (Hands), c. 1970. Sheet vinyl and wire hanger. 33 x 19 x 2 in. Courtesy Kiki Kogelnik Foundation. 
Sascha Braunig, Comber, 2015. Oil on linen over panel. 14 x 11 1/8 in. Courtesy the artist and Foxy Production 
57 Cell *Issue 57C0001* Zuriel Waters, East Coast Enematic, 2013. (cover) 
57 Cell *Issue 57C0001* Zuriel Waters, East Coast Enematic, 2013. (spread) 
Tiger Tateishi, Cubic Worlds, 1973. Silkscreen on paper. 26 x 18 1/2 in. ©Tiger Tateishi. Courtesy of Yamamoto Gendai. 
Nicole Miller, David, from The Borrowers (film still), 2014. Digital HD video. Dimensions variable. Courtesy of the artist. 
Christina Quarles, Grounded By Tha Side of Yew, 2017. Acrylic on canvas. Courtesy of Pilar Corrias Gallery. 
57 Cell *Issue 57C0003* Benjamin Phelan, Endogenous Encounter, 2014. (cover) 
57 Cell *Issue 57C0003* Benjamin Phelan, Endogenous Encounter, 2014. (spread) 
Loretta Fahrenholz, Ditch Plains, 2013. Still. 
Sascha Braunig, Monad, 2014. Oil on linen over panel. 25 x 19 in. Courtesy the artist and Foxy Production. 
Kiki Kogelnik, Hanging, 1970. Acrylic, sheet vinyl and chromed steel hanger on canvas. 66 1/8 x 54 in. Courtesy Kiki Kogelnik Foundation. 
Loretta Fahrenholz, Ditch Plains, 2013. Still. 
Christina Quarles, Pull on Thru Tha Nite, 2017. Acrylic on canvas. 50 x 60 in. Courtesy of David Castillo Gallery. 
57 Cell *Issue 57C0005* Rafael Delacruz, What a wonderful new beginning at my new home, 2018. (cover) 
57 Cell *Issue 57C0005* Rafael Delacruz, What a wonderful new beginning at my new home, 2018. (cover) 
Nicole Miller, Anthony Aquarius, from The Borrowers (film still), 2014. Digital HD video. Dimensions variable. Courtesy of the artist. 
Kiki Kogelnik, Seventh Avenue People, 1986. Sheet vinyl, chromed steel hangers, and chromed steel garment rack. 70 7/8 x 28 3/4 x 72 7/8 in. Courtesy Kiki Kogelnik Foundation. 
Sascha Braunig, Comber (study), 2013. Oil on gessoed paper. 11 x 8 1/2 in. Courtesy the artist and Foxy Production. 
Loretta Fahrenholz, Ditch Plains, 2013. Still. 
Tiger Tateishi, Growing Fuji, 1991. Oil on canvas. 90 x 64 in. ©Tiger Tateishi. Courtesy of Yamamoto Gendai. 
Christina Quarles, Only Right Twice a Day, 2017. Acrylic on canvas. 60 x 72 in. Courtesy of Pilar Corrias Gallery, London. 
Sascha Braunig, Hide, 2015. Oil on linen over panel. 42 3⁄4 × 19 in. Courtesy the artist and Foxy Production. 
Kiki Kogelnik, Hanging, 1970. Acrylic, sheet vinyl, and chromed steel hangers on canvas. 66 3/8 x 54 1/8 in. Courtesy Kiki Kogelnik Foundation. 
Christina Quarles, Missing What’s Missing, Flowers for a Friend, 2017. Acrylic on canvas. 60 x 48 in. Courtesy of David Castillo Gallery. 
Tiger Tateishi, Fuji Hi-Way, 1992. Oil on canvas, 76 x 76 in. ©Tiger Tateishi. Courtesy of Yamamoto Gendai. 
Loretta Fahrenholz, Ditch Plains, 2013. Still. 
Loretta Fahrenholz, Ditch Plains, 2013. Still. 
57 Cell *Issue 57C0005* Laurel Schwulst & Sean Lockwood, Here is a prototype of my office and I would love it if you did not show anyone, 2018. (cover) 
57 Cell *Issue 57C0005* Laurel Schwulst & Sean Lockwood, Here is a prototype of my office and I would love it if you did not show anyone, 2018. (spread) 
Kiki Kogelnik, Human Spare Part, c. 1968. Mixed media with acrylic on polyurethane foam. 4 1/8 x 23 x 6 3/8 in. Courtesy Kiki Kogelnik Foundation. 
Nicole Miller, Ndinda, from The Borrowers (film still), 2014. Digital HD video. Dimensions variable. Courtesy of the artist. 
Tiger Tateishi, Moon grows to the moon, 1981. Silkscreen on paper. 25 x 18 1/2 in. ©Tiger Tateishi. Courtesy of Yamamoto Gendai. 
57 Cell *Issue 57C0001* Alee Peoples, Down in the Deep, 2013. (cover) 
57 Cell *Issue 57C0001* Alee Peoples, Down in the Deep, 2013. (spread) 
Tiger Tateishi, wiper in the jungle, 1975. Oil on canvas. 65 x 47 in. ©Tiger Tateishi. Courtesy of Yamamoto Gendai. 